介绍：A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
影(yǐ(🎌)ng )片讲述了两(liǎng )个珠宝(🐒)设计(💨)(jì )师被秘密组(zǔ )织挑(🥎)选为(😀)实(shí )验对象，在(zài )对抗(♿)过程中而发(fā )生一系列精(🐊)(jīng )彩的故事。年轻有为(🍔)的(de )珠(👶)宝设计师(➗)(shī )李清(qīng )晨(🛺)在一(🕒)次公(gōng )司(🎌)季度珠宝(bǎo )设计(🥁)中遇上(shà(🆑)ng )海归设计师(shī )刘(🙌)曼妮(🏌)，一(yī(㊗) )个是典型的(de )大男(🎨)子主(📡)义(yì(😚) )，一(yī )个是霸道的(😡)(de )女权(🈂)主义(🥛)者(zhě )，火花四溅(jiàn )针锋(🏾)相对(🎛)的(de )两人在一次绑架(jià(⏯) )案后(💆)被命运(yùn )紧密地联系(🧞)(xì )在(🚺)一起。面(miàn )对一系列的(🍥)(de )身体变异，和黑衣人组(zǔ )织(🐙)头目“托尼”接二连三的(🧒)(de )夺命(🗃)追杀，李清(🥦)晨和刘(liú )曼(😐)妮这(😙)对欢(huān )喜(🌦)冤(yuān )家在逃亡的(🍰)(de )过程中逐(🍱)渐(jiàn )开始变得彼(🤗)(bǐ )此(🔡)信任(🌃)，而(ér )两人也联手(🕓)(shǒu )揭(🔡)开了(🎟)一段(duàn )不为人知(🐜)的(de )惊(📙)天(tiā(🌮)n )大阴谋。
４K/8Kの高解像度(🐳)(dù )に(🍵)よる大型(xíng )映像をは(💗)じめ(🈴)、CMやPV、テレビ番組、(🔪)さら(😕)にはwebクリエイティヴ(⛺)・デザインやグラフィッ(🗃)ク方面でも活躍する(👇)IMAGICAイメ(🖲)ージワー(🗿)クスと、『(😪)ALWAYS三丁(🖖)(dīng )目の夕(⛏)日』シリーズや(🌫)『永(yǒng )遠(🥤)の０』などの大(👺)ヒッ(🐡)ト作(🚈)で知られる映像(🛳)制(zhì(🚁) )作集(🎯)団ROBOTがタッグを組(😒)んで(👌)、子(📫)どものころに見た夢(🏹)(mèng )を(🔜)失いながら大人にな(🚲)り、(🐙)多忙を極めて久しい(🚏)現(xià(♍)n )代人の心に、かつて(🦕)のあの“想い”を蘇らせるSFフ(😖)ァンタジ(🌆)ー！
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
Louis has had mucoviscidosis since his childhood. When his doctor announces that a transplant is necessary, his sister Marie, whom he has not seen for months, arrives in his hospital room to keep an old promise: to offer him a dianshiyu.com beautiful journey for his twentieth birthday. He sets off with her and a friend on a transformative trip through Thailand.
牧江(jiāng )村(🐥)郊野(🧀)山藏有一(🚼)(yī )怪，赤面獠(🥔)(liáo )牙(🚋)，名曰垃(lā(🌒) )圾人，他身(shēn )世神(🎏)秘，以(yǐ )垃(🍼)圾(jī )为食，日遇(yù(🔷) )村妇(🅱)马秀(🐗)娟(juān )，将其掳掠(luě(🍱) )。马秀(🤡)娟通(🚚)(tōng )过与垃圾人(ré(📱)n )的交(😓)往，发(⚾)(fā )现他虽丑陋(lòu )骇人(🛋)(rén )，却(😘)心地单(dān )纯。但天不(bú(🆗) )遂人(🤰)愿，“单纯”的垃(lā )圾人却(💯)将马(🔨)秀娟(juān )视为配偶，囚于(🤥)废弃厂(chǎng )房。矿山老(lǎo )板徐(🧑)东南徐(xú(🎷) )西北两兄弟(👏)(dì )欲(🗿)借炸山除(🍥)(chú )垃圾人之名在(🈹)野(yě )山非(🌸)法拓矿(kuàng )，全然不(🦇)顾(gù )马秀(🙉)娟安危(wēi )。而垃圾(🥕)人(ré(⛔)n )通过(🥗)马秀娟逐渐(jiàn )了(🌉)解人(🔀)类的(♟)(de )尊重与爱，遂将其放归(🏐)(guī )牧(🐅)江村。马(mǎ )秀娟得知徐(📟)(xú )东(🐣)南阴谋后(hòu )为救垃圾(🤤)人与(🎙)之(zhī )抗争，最终(zhōng )被绑(🍖)于山上(shàng )，垃圾人为(wéi )救马(😩)秀娟与(yǔ )徐东(dōng )南死命相(🔧)搏(bó )，后被(🚏)徐东(dōng )南炸(📲)死。环(🈁)(huán )保组织(🚤)声明(míng )垃圾人出(🌀)现(xiàn )乃牧(🤺)江村的(de )环保意识(💫)薄弱之(zhī(👙) )恶果，垃圾(jī )人本(✳)无罪(🍼)，罪在(⬆)人心对(duì )环境的(😉)态度(🔊)(dù )，并(🌳)呼吁民众善(shàn )待环境(❕)。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Wolfgang.Amadeu.Mozart:
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
影(yǐ(🎌)ng )片讲述了两(liǎng )个珠宝(🐒)设计(💨)(jì )师被秘密组(zǔ )织挑(🥎)选为(😀)实(shí )验对象，在(zài )对抗(♿)过程中而发(fā )生一系列精(🐊)(jīng )彩的故事。年轻有为(🍔)的(de )珠(👶)宝设计师(➗)(shī )李清(qīng )晨(🛺)在一(🕒)次公(gōng )司(🎌)季度珠宝(bǎo )设计(🥁)中遇上(shà(🆑)ng )海归设计师(shī )刘(🙌)曼妮(🏌)，一(yī(㊗) )个是典型的(de )大男(🎨)子主(📡)义(yì(😚) )，一(yī )个是霸道的(😡)(de )女权(🈂)主义(🥛)者(zhě )，火花四溅(jiàn )针锋(🏾)相对(🎛)的(de )两人在一次绑架(jià(⏯) )案后(💆)被命运(yùn )紧密地联系(🧞)(xì )在(🚺)一起。面(miàn )对一系列的(🍥)(de )身体变异，和黑衣人组(zǔ )织(🐙)头目“托尼”接二连三的(🧒)(de )夺命(🗃)追杀，李清(🥦)晨和刘(liú )曼(😐)妮这(😙)对欢(huān )喜(🌦)冤(yuān )家在逃亡的(🍰)(de )过程中逐(🍱)渐(jiàn )开始变得彼(🤗)(bǐ )此(🔡)信任(🌃)，而(ér )两人也联手(🕓)(shǒu )揭(🔡)开了(🎟)一段(duàn )不为人知(🐜)的(de )惊(📙)天(tiā(🌮)n )大阴谋。
４K/8Kの高解像度(🐳)(dù )に(🍵)よる大型(xíng )映像をは(💗)じめ(🈴)、CMやPV、テレビ番組、(🔪)さら(😕)にはwebクリエイティヴ(⛺)・デザインやグラフィッ(🗃)ク方面でも活躍する(👇)IMAGICAイメ(🖲)ージワー(🗿)クスと、『(😪)ALWAYS三丁(🖖)(dīng )目の夕(⛏)日』シリーズや(🌫)『永(yǒng )遠(🥤)の０』などの大(👺)ヒッ(🐡)ト作(🚈)で知られる映像(🛳)制(zhì(🚁) )作集(🎯)団ROBOTがタッグを組(😒)んで(👌)、子(📫)どものころに見た夢(🏹)(mèng )を(🔜)失いながら大人にな(🚲)り、(🐙)多忙を極めて久しい(🚏)現(xià(♍)n )代人の心に、かつて(🦕)のあの“想い”を蘇らせるSFフ(😖)ァンタジ(🌆)ー！
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
Louis has had mucoviscidosis since his childhood. When his doctor announces that a transplant is necessary, his sister Marie, whom he has not seen for months, arrives in his hospital room to keep an old promise: to offer him a dianshiyu.com beautiful journey for his twentieth birthday. He sets off with her and a friend on a transformative trip through Thailand.
牧江(jiāng )村(🐥)郊野(🧀)山藏有一(🚼)(yī )怪，赤面獠(🥔)(liáo )牙(🚋)，名曰垃(lā(🌒) )圾人，他身(shēn )世神(🎏)秘，以(yǐ )垃(🍼)圾(jī )为食，日遇(yù(🔷) )村妇(🅱)马秀(🐗)娟(juān )，将其掳掠(luě(🍱) )。马秀(🤡)娟通(🚚)(tōng )过与垃圾人(ré(📱)n )的交(😓)往，发(⚾)(fā )现他虽丑陋(lòu )骇人(🛋)(rén )，却(😘)心地单(dān )纯。但天不(bú(🆗) )遂人(🤰)愿，“单纯”的垃(lā )圾人却(💯)将马(🔨)秀娟(juān )视为配偶，囚于(🤥)废弃厂(chǎng )房。矿山老(lǎo )板徐(🧑)东南徐(xú(🎷) )西北两兄弟(👏)(dì )欲(🗿)借炸山除(🍥)(chú )垃圾人之名在(🈹)野(yě )山非(🌸)法拓矿(kuàng )，全然不(🦇)顾(gù )马秀(🙉)娟安危(wēi )。而垃圾(🥕)人(ré(⛔)n )通过(🥗)马秀娟逐渐(jiàn )了(🌉)解人(🔀)类的(♟)(de )尊重与爱，遂将其放归(🏐)(guī )牧(🐅)江村。马(mǎ )秀娟得知徐(📟)(xú )东(🐣)南阴谋后(hòu )为救垃圾(🤤)人与(🎙)之(zhī )抗争，最终(zhōng )被绑(🍖)于山上(shàng )，垃圾人为(wéi )救马(😩)秀娟与(yǔ )徐东(dōng )南死命相(🔧)搏(bó )，后被(🚏)徐东(dōng )南炸(📲)死。环(🈁)(huán )保组织(🚤)声明(míng )垃圾人出(🌀)现(xiàn )乃牧(🤺)江村的(de )环保意识(💫)薄弱之(zhī(👙) )恶果，垃圾(jī )人本(✳)无罪(🍼)，罪在(⬆)人心对(duì )环境的(😉)态度(🔊)(dù )，并(🌳)呼吁民众善(shàn )待环境(❕)。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Wolfgang.Amadeu.Mozart:
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
