克里(💑)斯汀(tīng )·斯(🥛)科特(tè(📐) )·托马斯新(😙)片[指尖(🚄)(jiān )](Au Bout Des Doigts，暂译)将于(🍵)10月7日在(🍩)巴(bā )黎开拍(🚕)，参演过[我的国王]的(🌝)(de )卢(lú )德维克(kè )·伯(📗)特希尔克确认(rèn )执(🏵)(zhí )导。影(yǐng )片剧(🔘)本由(✡)导演和[亚(yà )马(🎃)(mǎ )逊(🚛)萌猴奇遇记]编(🚗)剧(jù(😣) )约翰娜·伯纳(🧒)德共同撰写，剧(jù )情(🉐)梗概(gài )尚未透露，其(🎾)他卡(kǎ )司(sī(🖍) )包括朱(🗜)尔·本谢特(🗒)里([新房(🤼)客(kè )])、朗贝(😃)尔·维(⚪)尔森(sēn )([奥赛(♓)德])等(dě(🦋)ng )。 到東京念大(♌)學的(de )佐(🖼)(zuǒ )伯，寄(jì )宿(🚔)在安靜住宅區的(de )林(🥂)(lín )家；房東千枝太(⚪)太(tài )的女兒照(zhào )子(🤱)，是個擁有不可(kě )思(🎤)議魅力(lì )的高(🛀)中美(📘)少女；愛(ài )慕(👌)(mù )著(🦇)她的(de )親戚－鈴(🧢)木也(🍍)同住(zhù )一(yī )個(🔌)屋簷下。有著天(tiān )使(🍘)般甜美(měi )外(🚐)表的照(🐼)子，時常(cháng )若(💗)(ruò )有似(🤑)無(wú )地誘惑(😅)著佐伯(🍹)，即(jí )便(biàn )鈴(🐫)木一(yī(🐋) )再警告：「(🌃)照子是(👄)個(gè )玩弄人(📿)心的惡(🔉)魔」，佐伯還(🏍)(hái )是不可自拔受她(🎱)誘(yòu )惑(huò )。照子(zǐ )越(🧕)親近佐伯，鈴木(mù )與(⚽)(yǔ )佐伯的關係便越(👷)加(jiā )緊張。在(zà(🚛)i )一次(🎷)激烈的爭吵中(🍘)(zhōng )，鈴(😾)木刺(cì )傷了佐(🍀)伯，看(🦎)著受(shòu )重(chóng )傷(🥛)的佐(zuǒ )伯，照子竟緩(🧒)緩揚(yáng )起(qǐ(🥕) )一抹微(🍬)笑… 一场戏(🈳)(xì )一句(🐐)话一(yī )部影(🐾)片，一言(💫)不合(hé )就(jiù(🎐) )开干。 每(🚂)个被欺凌者(💛)都压(yā(🔁) )郁(yù )着内心(💟)(xīn )的愤(🚨)怒，流露出来(⚡)的(de )只是万分的恐惧(🚿)。 一名中学(xué )生放学(🐉)回家路上遇(yù )到(dà(🏆)o )经常欺(qī )凌他的一(📢)伙校园霸(bà )王(🅾)(wáng )和(🙌)社会混混，由于(🚉)(yú )经(🖲)常被欺(qī )凌，心(👯)中早(📼)已积压(yā )一股(🐰)反抗(kàng )的愤怒，但是(📯)自己(jǐ )又(yò(😶)u )身单力(💔)(lì )薄和胆小(🥉)怕事，而(㊗)(ér )在(zài )被残(😣)忍的欺(🌎)凌中自(zì )己(🚌)想象自(💁)(zì )己武艺高(🚊)强以一(💈)敌(dí )众(zhòng )的(🤒)画面(mià(🔏)n )。然而想象归(👼)想象(xiàng )现(xiàn )实归现(🦊)(xiàn )实，最终还是回到(💋)现(xiàn )实中来，校园霸(🛍)王(wáng )和混混们(men )抢走(🈯)他的财物之后(🍏)(hòu )把(🌕)(bǎ )他绑在(zài )了(🗜)电线(🛶)杆上。一句(jù )无(☕)(wú )奈的“别闹了”反映(🏂)出被欺(qī )凌者的无(🍔)助。体现(xiàn )了(🎷)反校园(🔘)(yuán )欺凌公益(✍)题材，倡(🤞)(chàng )导(dǎo )“预防(🦕)(fáng )校园(🤛)暴力，杜绝少(🚴)(shǎo )年(niá(📹)n )欺凌”口号。 Min-jae wants to try something new as her sex life with her husband is boring. Armin深(🛷)感(gǎn )已(⛹)不再年(nián )轻(🐲)：他不(♟)能再像自(zì(🆎) )己(jǐ )喜欢的(de )女孩那(🤷)样在外玩乐(lè )到(dà(🚗)o )深夜。他并不觉得幸(🌁)福，但(dàn )又无法想象(⛪)其他的(de )生活方(🈹)式(shì(🌽) )。一天早晨他醒(🐕)来(lá(🏅)i )后(hòu )，发现(xiàn )世(🤥)界依然未变，却(què )不(💐)(bú )再有一丝生命的(👷)痕迹。这部(bù(🃏) )影片展(🏙)示了绝对自(😝)(zì )由所(🖲)带来(lái )的灾(🙄)难。 The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years.